And once again I must gush at Anna Torv’s amazing acting abilities, whether the deliverance of the speech to the suicide bomber, with the line “I’m not ready to die today.”, with the audience (and Broyles) very aware of it’s double meaning. Or the slight blink and you’ll miss them reactions to certain things about death and mortality that is brought up in the episode.

(Source: fringeon)

“I’m not saying there hasn’t been good stuff in this season so far - there has been some fantastic scenes throughout season four, it just feels a bit too subdued, with not knowing what was going on and feeling somewhat emotionally disconnected from these characters (sad-face). So therefore this episode (and last weeks) has managed to bring back that emotional connection through the proxy that is Peter. ”

(Source: cortexi-fan)

It may seem like I prefer the RedVerse - I actually don’t, I like our lovely GreenyBlueVerse (technical term) but I love how the RedVerse creates great conflict, tension and character development in a subtle way.

(Source: cortexi-fan)

Undoubtedly, the best part of the episode was the ending, which literally had me shouting “What?!” at my screen. Completely unexpected and utterly brilliant. This is what Fringe does best, the unexpected cliffhangers that leave you guessing. More of this please!

(Source: cortexi-fan)